Lars Gotrich

It's been four years since Magda Davitt, the artist formally known as Sinead O'Connor, released I'm Not Bossy, I'm the Boss. Today she offers "Milestones," produced by the Northern Irish electronic producer and film composer David Holmes, exclusively via The Irish Sun.

Though Neneh Cherry never really left music, her return as a solo performer in the last half-decade has been a reminder of the Swedish musician's remarkable elasticity.

Tim Hecker comes from a long line of unlineal composers, like François Bayle and Daphne Oram, where a source material — be it guitar, piano, synths, field recordings — is manipulated into new shades of sound via digital processing.

Somewhere between dusk and nightfall, there's a point when the sky's deep reds and luminous notes of peach bleed into deep blues and silhouetted skylines. It's a somber, meditative medley of color, when the reflection of day turns dim; that's where the new record by Patrick McDermott, who records instrumental guitar music as North Americans, rests.

Nathan Bowles' clawhammer banjo music has always lived in three planes of existence: Rooted in the past, with a foothold in the present and an eye on the future. But as much as we think about folk music speaking across time — its seeking melodies and lyrics ever-resonant — Bowles wants to pluck sound from space itself.

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