Marc Masters
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The Atlanta trio's first single from Multi-task is built around twitchy, start-stop beats that instantly get pulses rushing and nerves tingling.
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A new compilation spans Scott's innovations in electronic music from 1961 through 1971, including a cartoonishly joyful "ballet" that whirs away like overcharged robots.
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Orcutt's guitar playing scrambles conventional logic, but his take on the song from the 1927 musical Show Boat might be one of his gentlest tracks ever.
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This UK-based funk ensemble took its name from a Sun Ra album. One listen to A World Of Masks and you'll hear why.
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Woods hadn't planned to make any new music in 2017, but after last year's election, the folk-rock band decided to focus on love.
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The singer of Saturday Looks Good To Me fills his new solo album with keen reflections on big decisions and life-altering memories.
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Half Japanese began in the late '70s as a band of primitive outsiders, breaking musical rules that founding brothers Jad and David Fair never even learned. Today, it remains surprising and vibrant.
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The veteran composer crafts a masterfully emotional and poignant score to Yoji Yamada's heartbreaking new film. The 28 tracks here are so patient, they can make the world seem to move in slow motion.
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A breathy voice floats over insistent beats in a mesmerizng collection of first takes. Singer Anika asks, "Can't you let me fly far and wide / Up to where I can reach the sky?"
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Listening to the music of Canadian singer and composer Ian William Craig is like watching a classic black-and-white movie slowly fade, decay and disintegrate.